“RETRANSMISSION__” Presents a Contemporary Collective from Poland
[ad_1]
This fresh new survey of Polish artists primarily born in the 1980s is called RETRANSMISSION__ . It has as much to do with the influence of digital arts as it does with the plastic arts and art in the street.
This group collection at the Denver location of Mirus Gallery may possibly represent a physical lynchpin to the coming metaverse, minus the Oculus headset. A professionalized crew of artists formally trained in studies like architecture and urbanism, illustration, graphic design, painting, typography, and sculpture; These are not the kids on the street who popularized first and second-wave graffiti of the West, but rather the students of the scene infused by lore and not necessarily beholden to it.
“This collective of artists have lived and worked amongst each other,” says the gallery press release, “individually and sometimes through collaboration for many years, establishing a contemporary style unique to Poland.”
To mention that a certain number of these artists have a past in graffiti/street art culture sets the context of the artist’s common background, but those influences appear through mirrors, or software filters, if at all. You may look for deconstructed letter forms or raw off-kilter placements of elements, but this is such a self-aware, contemporary tableau, one may need x-ray vision to see the street from here.
Spray tags, skateboard graphics, street interventions, and covert acts of illegal artmaking may be influences in this corner of the street scene – one that has matured in the last decade and a half to embrace geometry and sophisticated illustration. It’s maturity now and development of a visual language that brings one to RETRANSMISSION__ where we are currently meditating on form, texture, refracted light, and balanced composition.
RETRANSMISSION_ At Mirus Gallery in Denver, Colorado is currently on view to the general public until July 8th. Click HERE for more details and schedules.
Other Articles You May Like from BSA:
ONO’U Tahiti 2017: “Personal Genesis” ONO’U 2017 Conférence, Dispatch 6
“Personal Genesis’ ONO’U Tahiti 2017. Panel discussion. Tahiti, October 2017. (photo © Jaime Rojo)
ONO’U 2017 Conférence
BSA was proud to host the first ONO’U Conference on Thursday night to bring…
Guerrilla Spam Creates “Usable Monument” to Teach About Seizing Land
The structure is not intended to be just admired, but it invites people to come in, walk, sit and play on it.
Guerrilla Spam. “Usable Moment”. Premio Antonio Giordano. Santa Cro- ce di Magliano, I…
The 25 Year War: WK Interact in New York, Part 1
A quarter of a century since falling in love with New York, WK looks at his route.
WK Interact was 8 years old, spending hours drawing on old floor plans. On the job with his father, even then he…
Masaaki Hasegawa: Expansive Gestural Paint Installation on Roofs in Madrid
Not quite calligraphy, this gestural art is calligraffitic for sure; it’s deconstruction of the letter style so complete that the language is no longer there.
As communications are becoming fu…
Vermibus: Wishes And Hopes For 2018
As we draw closer to the new year we’ve asked a very special guest every day to take a moment to reflect on 2017 and to tell us about one photograph that best captures the year for them. It’s …
[ad_2]
Source link