“RETRANSMISSION__” Presents a Contemporary Collective from Poland

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This fresh new survey of Polish artists primarily born in the 1980s is called RETRANSMISSION__ . It has as much to do with the influence of digital arts as it does with the plastic arts and art in the street.

Bartek Swiatecki Pener. “Mirror Lake”. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)

This group collection at the Denver location of Mirus Gallery may possibly represent a physical lynchpin to the coming metaverse, minus the Oculus headset. A professionalized crew of artists formally trained in studies like architecture and urbanism, illustration, graphic design, painting, typography, and sculpture; These are not the kids on the street who popularized first and second-wave graffiti of the West, but rather the students of the scene infused by lore and not necessarily beholden to it.

“This collective of artists have lived and worked amongst each other,” says the gallery press release, “individually and sometimes through collaboration for many years, establishing a contemporary style unique to Poland.”

Oskar Podolski. “Full Time Crime”. “Expect 1.0” “Nothing 2.0” RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)

To mention that a certain number of these artists have a past in graffiti/street art culture sets the context of the artist’s common background, but those influences appear through mirrors, or software filters, if at all. You may look for deconstructed letter forms or raw off-kilter placements of elements, but this is such a self-aware, contemporary tableau, one may need x-ray vision to see the street from here.

Spray tags, skateboard graphics, street interventions, and covert acts of illegal artmaking may be influences in this corner of the street scene – one that has matured in the last decade and a half to embrace geometry and sophisticated illustration. It’s maturity now and development of a visual language that brings one to RETRANSMISSION__ where we are currently meditating on form, texture, refracted light, and balanced composition.

Bartosz Janczak. “Faun”. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
Sainer. “Bez Nazwi-1”. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
Bartolomiej Chwilcznski. “Journey XCII” “Journey LXXXVI”. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
Pawel Ryzko. (left) “Modulation 01″ Chazme. (right) “Rise and Shine”. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
Seikon. “Back to the Roots”. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
Lukasz Berger Cekas. “Inter + Ferre”. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
Lukasz Berger Cekas. “Inter + Ferre”. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
Nawer. (center) “Transmission Fault 2”. “Transmission Fault 1”. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
Robert Proch. (background left). Foreground. “Sketches 2003-2018”. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
Left, Oskar Podolski. “Complete Manual of L1fe” and “Exclamat-i-on”. Center and right, Chazme. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
Left and center, Oskar Podolski. Right, background Bartosz Janczak. Right, foreground Nawer. “Inter + Ferre”. RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)
RETRANSMISSION_ Mirus Gallery. Denver, Colorado. (photo © Nawer)

RETRANSMISSION_ At Mirus Gallery in Denver, Colorado is currently on view to the general public until July 8th. Click HERE for more details and schedules.

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