When deciding to enter the entertainment industry, you discover that most people who work in the field have a solid creative nature and test themselves every day.
Out of the many creative roles, a lighting director’s work is crucial as it is primarily a visual medium. The lighting director’s part is essential in the production of television, theater, film, and broadcast media – working alongside other creative individuals to ensure that displays are adequately lit and that the used effects can enhance the value of their work.
A Lighting Director must understand the nature of light and what sources provide the color temperature of the medium employed, i.e., the capture range of the camera, theatrical stage, cinematic venue, or photographic page, etc.
Before we dive deeper into what they do, let us first understand who these professionals are. Lighting directors are known to be creative individuals who design the lighting, which includes shadows, color, tones, shadows, and highlights, of film, television, and theater productions. You will often find them using all kinds of tools on the job, such as lighting and special effects equipment, that they bring together through electrical engineering strategies to set up a general atmosphere of the environment. And from there on, the lighting directors make sure that the mood of certain scenes matches the goals established by the set producers, directors, and cinematographers.
Quite often in movie production and streaming production today, the director of photography is also the lighting director; this is a lot of responsibility. The DP has large crews at their disposal to successfully meet the production goals established after weeks of meetings with all the creative crew heads.
There are several tasks that lighting directors have to engage in to complete their overall goal of generating the ideal effective lighting plan and implementing it accordingly. For starters, lighting directors create a television show’s color, mood, and texture – turning two-dimensional sets into 3D spaces. They utilize different kinds of effects and lighting ambiance to focus the attention on the action and enhance the scene’s reality so as not to look phony.
The Norwegian/American Richard Westlein is a lighting director and director of photography. When he started as a lighting designer at Cafe LaMama, the off-Broadway theatre in New York City in the early 1970s, Rich has seen the tools of the trade transform galactically. Rich can tell you part of the job is keeping up with all the industry advancements, which improve dramatic results frequently.
When it comes to studio shows, lighting is an integral part of the set’s design. And on the outside broadcast, they must adapt to the constantly changing natural light.
Moreover, DP’s also tend to work on several multi-camera productions, working with directors, operators, and producers to figure out the ideal mood and lighting they want to achieve. They also collaborate with production designers to ensure the set is created to incorporate their excellent designs and technical requirements.
If you are curious to know more about the world of a lighting director, why not ask professionals like Richard Westlein himself? Since the beginning, Richard was always fascinated with the idea of working in media and making a name for himself in the industry. And with years of hard work and determination, he finally made it into the professional sector